Discography

Available on Amazon, CD Baby, Spotify & iTunes

 

ALL HOT BODIES RADIATE

(2015, Ashokan Indie Records)

#6 Vocal Jazz Album of 2015 in the 2015 NPR Music Jazz Critics Poll

Top Jazz Vocal Album of 2015 — ArtsFuse

#1 Top Jazz Vocal Release & #5 Top Jazz Release Brian Morton, UK 

“Ms. Bull, a lyrically and musically adventurous jazz vocalist, has a new album, ‘All Hot Bodies Radiate,’ that captures the intense breadth of her artistry.” Nate Chinen, The New York Times

 

 

FREAK MIRACLE

(2011)

Freak Miracle awarded an NARAS Grammy Nomination consideration in 2011. 

Best New Releases of 2011 Honorable Mention — The New York City Jazz Record

Best Releases of 2011 — AIM RADIO

“...a career that can only be described as singular... think of vocalist Katie Bull
as a jazz prism, refracting musical light in endlessly unpredictably ways.”
Christopher Louden, JazzTimes (Nov 2011)

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THE STORY SO FAR

(2007)

Top 50 Jazz Albums — Jazz Times

 All About Jazz NY Honorable Mention

JAZZ IMPROV TOP CDs

“..Bull gets it right...'it' being something wholly undefined and unconventional.”
Suzanne Lorge, The New York City Jazz Record (Sept 2007)

 

 

LOVE SPOOK

(2008)

Editor’s Choice Best Of — Cadence Magazine

“...(Bull) is unlike any other singer. With deep reserves of talent, a wide range, incessant surprises when she sings, a vibrant imagination, a natural feel for rhythm, lyrical perceptiveness, unconventional formation of notes and an ever-present sense of fun, Katie Bull immerses herself fully in the songs she sings. She represents a true discovery for anyone who hasn’t heard her yet.”
Don Williamson, JazzReview.com

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THE BULL FONDA DUO
CUP OF JOE, NO BULL

(2005)

Katie Bull — vocals
Joe Fonda — bass

“...a remarkable recording that celebrates the conceptual vision of two musicians who manage to work, and swing, together incredibly well...”
New York Press (July 2005)

 

 

CONVERSATIONS WITH THE JOKERS

(2003)

“...(a) prodigiously talented singer...Bull sings in a warm, smooth voice that will remind some of Sarah Vaughan and others, interestingly, of the young Chet Baker - at least until she starts to scat, at which point her rhythmic adventurousness and unusual syllabic choices make it clear that she is approaching this repertoire with an agenda all her own...a promising debut from a significant talent.”
Rick Anderson, AMG (2003)

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